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This paper presents findings from an ethnographic study of Christian hip hop music performed and practiced in Central Texas. I examine the emerging Christian rap scene through the experiences of members of the local social group known as The 51210 Movement. The 51210 Movement includes various Christian rappers, singers, songwriters, musicians, producers, and sound technicians. Their activities center on the multiple uses of Christian rap within their local communities. The central Texas Christian rap scene is situated within the musically rich city of Austin, the “Live Music Capitol of the World,” and San Antonio, a culturally and religiously diverse city. I focus on how members of The 51210 Movement use Christian rap as a proselytizing and pedagogical tool, how Christian rappers work together to create a self-perpetuating Christian rap scene, and how members of The 51210 Movement negotiate the interplay between the sacred and secular forms of rap to maintain religious authenticity.